Convert Your 8mm Film to Digital, Frame by Frame.
The home-movie format that captured the mid-century family
Regular 8mm was the reel film families shot from the 1930s into the 1960s. We scan it directly, one frame at a time, in true HD or 2K on the same equipment developed for the Motion Picture Academy, never with a projector, never with heat, and you pay only for the footage we actually transfer. We also convert 16mm film to digital, Super 8 film to digital, and Technicolor film to digital.
Get a Free 8mm Film QuoteIn-house in Orange, CA since 2001. Over a million reels handled, never one lost.
$0.28/ft
at the Gold HD special price (regularly $0.40/ft). HD to 2K.
Since 2001
Hollywood 's Choice
In-House Processing
Expert Technicians
Trusted with the Steven Spielberg documentary reels and Chapman University Film School · All film formats →
See the 8mm Legacy Digital difference.
Even decades-old 8mm film contains remarkable detail when it’s scanned correctly. Low-cost transfers often produce soft images, muted colors, and clipped highlights. Our frame-by-frame scanning process preserves the full frame and carefully adjusts color and exposure scene by scene to create the highest-quality digital copy your film can deliver.




What Regular 8mm Is, and How to Spot It
Regular 8mm, sometimes called Standard 8, was the dominant home-movie format for three decades before Super 8 arrived in 1965. If your reels date from the 1930s through the early 60s, they are most likely Regular 8.
Regular 8 has bigger, more frequent sprocket holes along one edge and a smaller picture per frame than Super 8. That is the quickest way to tell them apart.
Most Regular 8 lives on 3-inch and 5-inch reels, often in yellowed boxes marked with a date or a family name.
Because it came first, Regular 8 is frequently the earliest, and most fragile, moving footage in a collection.
You never have to know the format before sending. We identify every reel, Regular 8 or Super 8, and quote it before any work begins.
Why Digitize 8mm Film Now
Decades-old film dyes shift and fade. Our scene-by-scene color correction recovers much of it, but only what is still there.
Old film shrinks and grows brittle, which makes it harder to run safely with every passing year.
Aging film can develop vinegar syndrome, a sour-smelling decay that warps the reel. Caught early, most still transfers.
Old projectors scratch and can burn film. Do not thread a fragile reel at home; let us scan it without ever projecting it.
8mm Film Pricing
Film is priced by the foot, and you pay only for the footage we actually transfer, not per reel. Three quality levels are available; here is what the common reels cost at the Gold HD special.
| Reel size | Gold HD special ($0.28/ft) |
|---|---|
| 3 inch | $14 |
| 5 inch | $56 |
| 7 inch | $112 |
Gold HD is $0.28/ft (regularly $0.40). Platinum HD adds scene-by-scene color correction and grain reduction; Professional 2K is our highest resolution. Sound film is 10 cents more per foot. See the film hub for all three tiers. $50 order minimum; delivery on drive or DVD/Blu-ray.
Why Our 8mm Transfers Look Better
We capture each frame optically in HD or 2K on the same industrial equipment the studios use, never by projecting and re-filming.
A cold light source means no damaging heat, and we never let toothed sprockets touch the picture area of your film.
Every reel is cleaned and lubricated first, and premium levels add scene-by-scene color correction and grain reduction.
You pay for real footage, not half-full reels, and every reel is handled by our own team in Orange, California.
How It Works
Getting your 8mm reels to us is simple, and your originals always come home.
Send it to us
Free local pickup across Southern California, a secure prepaid shipping kit by mail, or drop off at our Orange, CA counter.
We digitize it in-house
Each reel is cleaned, then scanned frame by frame in HD or 2K, with optional color correction and grain reduction.
You relive it
Get your movies as MP4 (or MOV/ProRes on request) on a drive or disc, and your original reels come back with them.
How it Works
And you’ll have the best quality transfers available at a fair price!

Collect, inventory, pack and drop off or ship your media

We receive your media, prep and clean it, digitize it

You rediscover past memories with family and friends
8mm Film Questions
Usually, yes, and often they look better than you expect after color correction. Some film is degraded beyond a perfect image, but we deliver the best result the film can give.
Gold HD is a clean HD scan. Platinum HD adds scene-by-scene color correction and grain reduction and is our most popular. Professional 2K is the highest resolution. See the film hub for full pricing.
Regular 8 has larger, more frequent sprocket holes and a smaller frame; Super 8 has smaller holes and a bigger picture. You do not have to know, we identify every reel for you.
From $0.28 per foot at the Gold HD special (regularly $0.40). A typical 3-inch reel holds about 50 feet, or roughly $14. You pay only for the footage we actually transfer, never per reel.
MP4 files by default (MOV or ProRes on request) on a flash drive or hard drive, and optionally on playable DVD or Blu-ray for $15 per disc. One disc holds about 1,250 feet of film. Your original reels always come home too.
Yes, a $50 order minimum, not counting drives.
With the current discount, transfers start at $0.28 per foot ($14.00 per standard 50 ft. reel) on the Gold tier. Sound film adds $2.00 per reel. Larger reels are simply more feet: a 200 ft. reel counts as four standard reels, a 400 ft. reel as eight. Use the online estimator for a down-to-the-penny quote; it assumes full reels, so most clients pay slightly less than their estimate.
The main reason you want to put your family memories on DVD is that DVDs last forever right? WRONG!! All DVDs have a shelf life and do fail eventually. And, once a disk starts to go bad, it becomes unreadable. So, instead of the picture fading or degrading a little at a time, you go from perfect to nothing in one step.
Most services like ours use regular disks. They are said to last 2 to 5 years. We don’t think that is acceptable so we use the top of the line long lasting archival DVDs available. These disks are superior for two reasons: First, the construction of the disk is much more durable. It can take punishment and age better than any other disk. Second, the recording layer is built to a true archival standard.
This archival layer holds information far better than the dyes and metals used in ordinary disks. The result, a disk that is thoroughly tested and rated for a shelf life of over 100 years. These discs have been tested against every major maker of DVDs. They stand out as far superior in every case. That’s why we insist on using them, and that’s why you should insist on getting them.
Why doesn’t our competition use them?
Because they are many times more expensive than any other disk. When you want your data to outlast your grandchildren, insist on the best long lasting archival DVDs on the market. And to play it safe, we recommend that you order a backup copy to keep at a second location just in case. (Blu-ray discs are not made to the same archival standard, but we do use the highest rated Blu-ray discs available. Again, backup copies are highly recommended.)
Regular 8 and super 8 mainly differ by the type of reel they are on. The center hole on a regular 8 reel is too small to fit a pencil through. On Super 8 film, the center hole is almost as large as a dime. If your Super 8 has sound, it will have chocolate brown stripes along one or both edges of the film.
8mm film of any type has holes on only one side and is skinnier than your finger.
16mm film is about as wide as a man’s index finger. If it has holes on both sides (make sure you check the actual film, not the white leader) it is silent film. If it has holes on only one side, it is sound film. 16mm film can come on reels as large as 1600 ft (about the size of a giant pizza).
The result you will get from your film transfer can vary greatly depending on the type of process you use. At the bottom of the list are services that will run your film on a projector and videotape the screen for you. This would represent the poorest quality process. This would be about a 2 on a 1 – 10 scale for quality.
The next step up would rate at about a 5 to 6 on the scale. This process is commonly called a telecine transfer. This machine looks like a projector, but instead of having a lense, it has a video chip that captures the image from the film. This yields OK results, but the original resolution is one fourth of what a dvd is capable of, and if you capture the film that way, you cannot take advantage of the full quality a dvd is capable of showing.
Our process would rate a 9.5 on the scale. The only way to get a better quality picture is to go to the high end Hollywood type transfer houses that usually do work for the studios. They can charge 10 to 15 times more than our prices and are certainly out of reach for family budgets.
When we transfer your film to dvds, we take the time to do it right. First we clean and recondition your film. We use the same film cleaner and process that motion picture studios use on their archival footage and master prints. (Watch out for the guys who use isopropyl alcohol. It is a drying agent and will damage your film in time. This saves them about $60.00 per quart, but the person who pays the price is you.)
We then scan your film frame by frame directly to lossless computer files. This frame by frame capture gives you superior results, it is much safer than other methods, and has much better color, contrast, and clarity. Frame captures are done by a high definition 1080p optics system that will trump other telecine systems every time. Frame scans are also natively high definition, 1080p resolution so there is no attempt to upscale inferior footage.
Before we burn your files to disk, we take the time to go through the footage and adjust color, contrast and brightness to enhance the picture quality even further. We can’t always make old film perfect, but we can make it look as good as possible.
We use only the best professional, long lasting archival DVDs for top of the line performance and longevity (Blu-ray discs are not made to the same archival standard, but we do use the highest rated discs available). These top of the line disks are tested and rated for an over 100 year shelf life. Don’t believe everything you hear about dvds lasting forever, the disks you use make all the difference. These disks are the longest lasting media of any kind. They also cost us about 10 times more than other disks.
That’s why most people don’t use them, but again, the person who pays is you. Our disks are also NOT copy protected. You are welcome to make copies of your product all you want. I recommend at least one backup copy on the long lasting archival DVDs, but you will not have to wonder if I am still in business 5 or 10 years in the future if you want another copy. You will be able to do it yourself.
Have Other Film Too?
We convert every reel format. Tap one, or send a mixed box and we identify and quote each reel.
Your Oldest Home Movies Will Not Get Clearer With Age.
Get a free, itemized quote. We measure every reel, tell you the exact cost, and your originals always come home.
Get My Free 8mm Film QuoteOr call (888) 405-2685 · Orange, CA · In-house since 2001

